Thursday, December 06, 2012

Take 5


Take Five, Dave




Music is evocative, and Brubeck's Take Five sends me immediately back to the WOC Club at Fort Wolters.  We played this song on the juke box almost endlessly.  It's the only jazz I can think of that I ever liked  RIP Mr. Brubeck.


11 comments:

leelu said...

First time I heard "Take 5". I was tem, walking across the L.A. County Fairgrounds parking lot. It completely blew my mind. It was the most phenominonaaly amazing music I had ever heard in my young life. It was the first jazz record I ever owned.

Anonymous said...

The Jazz at Oberlin album is the All-Time one...and you can't play air piano fast enough to keep up with Dave on How High the Moon:
http://www.youtube.com/watch?v=5NPzdNpXr_4

L/Cpl First Class Slack

Anonymous said...

I listened to a lot of Brubeck in high school, especially Take 5 by Paul Desmond.

I highly recommend any of the Bill Evans combos from the 50s and 60s.

Freddie Sykes

James Hooker, Nipple Whisperer said...

Dave, and equally important to me, Joe Morello, taught me how to think outside that staid old 4/4 box every now and then. RIP, Bad-asses! Eugene Wright is still with us, I believe.
.
.
What a band the Big Guy is collecting up there.

Anonymous said...

check this out for a different take on take 5 http://www.youtube.com/watch?feature=player_embedded&v=GLF46JKkCNg#!

I-RIGHT-I said...

The 50's and 60's were good for a lot of reasons and Dave was a part of it. Wonderful stuff.

Anonymous said...

Came home from Bermuda when I got out of the Navy in 1959....Brought "Time Out" with me and it's been my favorite album ever since...Bought other copies over the years.
It has staying power.
So long Dave.

Anonymous said...

I heard Take 5 a month or so before the Jefferson Airplane came out with White Rabbit. Been a hippie ever since. Take 5 is pretty much elevator music.

James Hooker, Nipple Whisperer said...

Anon: I can tell. Patchouli Breath.

DougM said...

Have every vinyl he ever did.
Saw him live in Ann Arbor back in … '68 was it?
As a drummer, I was awed by Joe Morello who could play more with one hand than I could with both.
I didn't like sax back then, until Paul Desmond, and that got me into Stan Getz, for which I'll forever be grateful.
Eugene Wright's bass solos alone were worth the price of admission.
Yeah, you can OD on Brubeck, but if you lay it aside for a while, he comes back fresh every time.
Like, thanks, man.

Anonymous said...

When I was in high school, the school would have a talent contest within the student body. The principal had final say in what could be played. He forbade "Take 5" as being radical. This was in 1965-66.

KellyFromMesquite

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